The delicate thread of livelihood: A tangail from Fulia

Last week, this time, I was getting ready to go with two friends to the small weaving village of Fulia in West Bengal.

 

The expedition was planned following a casual question about saree shops in Kolkata. I am a great fan of Bengal cotton sarees. They are simple, elegant, hardy and still light enough for the hot, humid weather of cities like Bombay, Chennai and indeed, Kolkata itself. They are also always wide/ tall enough for tall women to wear comfortably, a great virtue in my family. And need I say, they last forever; out in the balcony two days ago, was a saree I had bought in 1996--worn first to outings, then to work meetings, then at home during the day by my mother and now in the night.... still going strong. (Very simple saree on the right was the first cotton saree I chose for myself at 14, and the one I wore to our school farewell party thirty-one years ago.... still good!)

Anyway, this post is not about sarees or our clothing preferences. It's about the consequences our changing preferences have for traditional artisans.

I want to share with you some photographs I took in the village, with the encouragement of my friend. I don't normally take photographs of strangers and am uncomfortable when I see tourists do that. People are not curiosities! But I want to share these pictures that I took in a weaver's shed, with the weaver's nonchalant assent. And I do mean nonchalant. He barely looked up from his work, letting the rhythm keep him focused in a way I wish I could emulate.

We had driven out in an air-conditioned vehicle and could still feel the cruel mid-day sun, past the tinted window-glass. He wove with that sun beating down his bare back.

We had gone to Fulia at least partly in search of lower prices. But travel is such a good teacher! The visit reminded me of things I knew, but don't think about.

It takes so many days' work to weave a single saree, and the work is so fine. We take one look at a saree and say, "No." Or if we are more outspoken, "Ugh!" or "Who'll buy that?" If we actually like the saree, we are likely to second guess the quoted price because we are sure that the customer is taken to be gullible. The person who really loses out is the artisan/ artist who created the saree in the first place. But we don't think of that.

If I buy a saree for Rs. 400/-, I will then make sure I have a petticoat/ underskirt that's just right and a blouse that matches. I might even have two blouses made--a dressy one and a simple one. More fabric, and tailoring, too. Depending on where I live, I might spend between 700-900 rupees to make my saree ready-to-wear, but the weaver will still get a small fraction of that. And that's the fraction affected by the habit of haggling over prices.

But if I don't even buy a handloom saree, with or without haggling, what happens? That's the point of my post, really.

In the last few years, I have seen more and more Indian women move away from handloom. The most important reason is that handloom cloth is hard to maintain. It needs to be washed separately because bright dyes may bleed. It needs to be hung out to dry separately. Handloom sarees (and salwar-kameezes) often need starching. They almost always need ironing. Who has time? Who has space in India's densely packed cities? And how many can afford even the roadside istrivala (ironing-cart) on a regular basis? Fair enough.

Handloom is also more expensive. There are inexpensive weaves but they don't last as long. And synthetic daily wear sarees are cheaper than better quality handloom cottons. Understandable.

But how about those who can? Why do Karan Johar's heroines wear chiffon where Chanderi or Maheshwari weaves can look as delicate and more gorgeous? Why are TV bahus in georgette and crepe when a Mysore silk or Paithani might work as well? What about TV anchors? And evening gowns on Indian red-carpets? These are all people who can afford the sarees and laundry.

Most of all, it is the increasing adoption of the climate-inappropriate, funereal black business suit that upsets me. This is a hot, mostly sweaty country. Why would Indian women (or men) choose to wear ghastly Western style business wear (with stockings/socks and shoes) here? Moreover, when we are talking about climate change all the time, why consciously adopt office-wear that makes it mandatory to run air-conditioning all the time?

I work with young people who freak when I suggest (in jest) that they wear a saree to our programmes. It's such a beautiful dress, at any age! Our compromise solution: the salwar kameez. Because left to themselves, they would be in western clothes. In what way are t-shirts and jeans or funereal (I repeat the word on purpose) office suits more beautiful or appropriate in India than these? And aren't other people tempted by them as I always am?

With each such choice--whether by the office-goer or the student or Manish Malhotra--the weaver's livelihood diminishes. And an important part of our heritage is lost, as this traditional art, passed on from generation to generation, dies. Change is the order of life, I accept, but why usher in change unthinkingly? Will we then wait for an outsider to come and re-discover our textile heritage, willing then to pay 4000 Rs for something we shun at Rs 400? This, of course, is the FabIndia success story.

Are you now tired of my tirade, asking: So what am I supposed to do? Here's what I would request: Buy handloom when you can. And give artisan's bazaars like Dastkar or government cooperative stores a chance, before you head out to the big department stores. Try Co-optex or Apco or Tantuja or Mrignayanee, at least occasionally. Your small detour might save someone's livelihood or life, and will definitely save a part of your heritage from disappearing.

Take a look at the following: Swati Garg, Recovery a mirage for Fulia's weavers, Business Standard, May 11, 2010. 

Gingee: Veni Vidi Vici

No, I am not talking about the Vijayanagara Nayakas, Deccan Sultans or Marathas. Nor am I talking about my family's visit to Gingee aka Senjikottai last week.

I am writing about Karthik, Siva, Seenu and Perumal. Azra also. And others who have attempted to match the fort architecture and the impressive rock formations of Gingee with their calligraphy.

Now that we all know they have been here, we can be confident about the future of our shared heritage.

Phew!

How we preserve our heritage

I am on the road with a group of visiting students and we visited the Brihadeeshwara Temple in Thanjavur. This is the main temple in a complex of Chola temples in and around Thanjavur, designated as World Heritage Monuments. The designation has funded a great deal of restoration activity which is ongoing, but in the meanwhile, our own unique instinct for cultural conservation has led visitors to....

leave fragments of broken glass bangles in a courtyard where visitors are barefoot....

inscribe their hopes and aspirations on the wall to match Raja Raja Chola's...

litter food and bottle caps hither and yon...

If the great builders of India's past had known their progeny would be messy vandals, would they have bothered to build anything at all?

Home Thoughts from Abroad, Written at Home

(I have been updating my other blog far more regularly than this one. Now that I am back from my holiday, I am crossposting my last entries there into this blog as well: one and two.)

Home Thoughts from Abroad, Written at Home

I start this post on a sultry morning, wondering where all the words vanished that I composed so brilliantly as we drove around Holland. Let's see if their remains can reconstruct their essence.

Comparison is a way of thinking and seeing the world, we learn in comparative politics classes. Comparisons are odious, the world tells us. And I say, comparisons are instructive and even inspiring. We have had so many occasions to compare the Netherlands and India, particularly Chennai. The comparisons have favoured both sides in turn and I want to share them with you, starting with the ones in which India and Indians do really well.

Where India and Indians score

Of all the things you start to remember fondly about India and Indians, compassion in interpersonal interactions (I am not talking about inter-communal relations) and customer service stand out. The small attentions and acts of caring that Indians, total strangers, especially traveling strangers will perform for each other--offering medicine, water, food, a helping hand--stand out in sharp contrast to the more transactional style of other cultures. Especially when you fly a western airline. (Of course, there are wonderful, warm and compassionate people everywhere and Indians can be cruel, especially to less fortunate Indians, but still what I am saying will ring true to anyone who has traveled widely.)

It is hard to hold on to this rosy view, however, as you observe the crowd rushing towards airport gates as if the flight will leave without them on board. When the act of compassion is followed by questions about your family history, your lifestyle choices and gratuitous advice on all matters.

The glow returns as you walk through European stores where store staff treat you with an indiscriminate coldness that says: I don’t care if you are going to buy up all our stock, wipe your shoes, pick up after yourself and don’t talk to me. Suddenly the over-attentive girls in white coats in Chennai stores seem marginally less irritating. And one misses the shopkeeper in Bombay or Delhi who says: Look, look, what is the harm in looking? Or even the efficient Nalli or Kumaran floor supervisors who say, yes, what are you looking for, what is your budget and shepherd you to the right place.

One also notices the absence of those proto-relationships one has with service providers and vendors in India (and elsewhere in South Asia). That people do not remember each other in spite of repeated interaction over a long period of time just stuns me. To walk into stores where you have purchased things for many years, to recognize the sales staff but have them look at you (a rare South Asian in a European sea) as if they have never met you before… that actually happens most places outside this region. In South Asia, for the most part, like two points make a line, two interactions (or even one) are enough to form the skeleton of a relationship. This skeletal structure gives them permission to remember my purchasing habits or even that I have not come to the store in a saree, and it gives me permission to say, how are you today and over time, enquire about the family or the business. This is not true of course, of the new malls and department stores, but it still holds good for the family businesses and shops that still dominate retail. It is excellent business practice; I equate being remembered with being able to trust and it is repeat business for the store.

My sociologist friend tried to explain, and I will try and paraphrase from memory (please comment to correct or clarify): she said that Dutch society had never been feudal and like adjacent parts of France and England (across the channel), had always had nuclear families. Not being feudal meant that responsibility for a community and community affiliation clustered around church parishes. In spite of their maritime and commercial history, then, the Dutch did not reach out and did not learn to reach out to people beyond their community. She also said that self-sufficiency and the expectation of self-sufficiency followed from the fact that young people would leave home early to go to town to learn a trade and then build their families with themselve as the starting point. So each one helps themselves and expects that others can take care of themselves too.

My friend stressed the (non-feudal) egalitarian nature of Dutch society. When I asked her to compare it to non-hierarchical American society (and whether that stereotype holds true is another debate altogether), and she said something very interesting (also revealing a common perception of American society held outside that continent): The Dutch are blunt to the point of rudeness because they don’t think anyone will shoot them for it.

Let’s go Dutch!

The first thing that strikes you when you start driving out of Schiphol Airport in Amsterdam is how orderly everything seems. Even the trees grow, neatly spaced, in a straight line. That impression is reinforced by everything you encounter. Well, fair enough, one thinks, after all, much of Holland is reclaimed land, and planned construction allows one to impose a linear order on nature.

But what accounts for the people here? As far as one sees and hears and reads, it is the same mad human race that inhabits this space, the one that drives badly elsewhere; will not stand in queues; talks loudly and violates rules; spits, urinates and defecates in public spaces; and evades tax. What makes them so well-behaved here? (Rude, but well-behaved!) I don’t know, but it should be a wonder of the world.

We sat at the window everyday and watched Leiden file by, in perfect order. Traffic is orderly, trains are orderly, people are orderly. (You get the picture.)

And we remembered Ranganathan Street and its chaos. The mad traffic of humans, cows and cars at the entrance of Colaba market. The craziness of trying to get on or off a plane or train in India. Spitting at no-spitting signs. Sticking posters over do-not-stick warnings. Men urinating everywhere unless there is the picture of a god, goddess or saint (the origins of image worship?) before them. “Queues” pressed abreast a teller’s counter. And held our heads in our hands at the memory.

Why do we preen at our bad behaviour? Indeed, why do most humans defend really bad behaviour by using words like: spontaneous, free, open, natural… what is natural about lack of consideration or lack of civic sense? Sometimes we also romanticize it: this is how we are, the world marvels at our functioning chaos, our chaos is colourful, being in India is about experiencing heat, dust and dirt.

It makes me cringe. It makes me sad. It makes me want to step out and trying to change things.

One of the things I really want to change is the way we run our museums. The Dutch love their museums and why not, they are everywhere, you can enter free on certain days, they are well laid out and organized and you can actually learn something while having fun.

There are some very obvious problems with museums in India: lack of resources, lack of skilled workers, low priority status in the face of other issues and a public that will neither pay willingly nor take care of existing resources. I have visited the Colombo Museum twice, and it has been a few years now so it could have changed, but to get to the most amazing part of their collection—their bronzes—you had to walk far into the back, past some very dull exhibits of boats and bats. Contrast that to the Rijksmuseum that we visited a few weeks ago: it is undergoing huge repairs and renovation but instead of shunting a few works into a tent or basement, they have taken the trouble to renovate one wing and curate a smaller collection of masterpieces that they show with the same care and attention to detail as if it were their entire permanent collection. The result: a wonderful, learning experience for the hundreds who walk through everyday.

I have visited some amazing museums in South Asia and they deserve a mention here if only to show that we could do as well as anyone if we cared enough. In no particular order:

• Lok Virsa, Islamabad, showcases the folk cultures of Pakistan. It is user-friendly, entertaining and teaches without inducing sleep. The staff are very welcoming, especially if you are an Indian.
• Dakshina Chitra, Chennai, recreates the art, architecture and material culture of South India on a sprawling (and sadly still shade-less) campus. Each reconstructed house is furnished in traditional style, down to the line of family photographs. You become interested in spite of yourself and the heat.
• The National Gallery of Modern Art in New Delhi is the first museum I visited that I really enjoyed walking through. This was seventeen years ago and there wasn’t enough text to explain the art, but it was still a good experience because the exhibited works were well-arranged and there was enough light to look at them everywhere.
• Chennai’s newly re-done bronze gallery is fabulous. Where the other sections are still like dressed up warehouses galleys, the bronze gallery shows what the Museum staff are capable of if someone cared enough to support them.
• Victoria Memorial, Calcutta, where I first noticed paintings with interest because they were so beautifully laid out that they looked even more beautiful.
• Dinkar Kelkar Museum, Pune, whose collection of everyday objects is exquisite. I learnt to notice beauty in small things by seeing how Dinkar Kelkar saw.
• New Delhi’s Railway Museum and Dolls’ Museum are also remarkable little treasures.

I want to stress that the problem is not with the exhibits. There are gorgeous and fascinating objects in the collections of the Delhi and in the Museum in Bombay (which has been recently redone, I hear). But when will we learn to enjoy them? And cherish them?

Who in their right mind would deny that India’s, South Asia’s civilization and arts are rare in their antiquity and their excellence? Not Indians, who are justifiably proud of this inheritance. When however, I see how the Dutch (and the Belgians) cherish and showcase every small aspect of their culture (art, musical instruments, chocolates, posters, stamps, trains, etc.), I am saddened and moved to act on our behalf.

We have so much to show and showcase, even conceding to cultural studies scholars that all showcasing is problematic. I want to be part of an effort to showcase well. And I want to be part of an effort to make us take a real interest in our own heritage. I worry that what we are getting left with is the stuff that was meant for the garbage dump—puberty and widowhood rituals played out over three to five days in all Sun TV serials, for instance. We are losing our appreciation of our own textiles, our understanding of our iconography and architecture, our taste for our own food and our embrace of our own inner diversity.

That is another striking comparison, by the way. Indians are constantly negotiating the politics of our diversity. It is interesting to watch how the Dutch, like other Europeans, are learning to see themselves as not culturally homogeneous. This is the beginning of an interesting journey for them, and one that is slightly further along in the US. From India’s point of view, their current politics is our ancient and continuing history. Stratification, hierarchy and ethnic diversity have been a part of every period in every South Asian region’s history.

The mirror shows you your face and when you point at someone, your fingers point back at you! That travel teaches you a lot, goes without saying. When you travel widely and spend time outside your home, you know that travel—like any other form of education—ultimately teaches you more about yourself than anything outside of you. From the vantage point of Leiden Centraal, the clearest view was the one closest to home for me—and maybe in some way, for you too?