Tuesday, April 2, 2013

One sweetipie short

Last Thursday, I lost my Mama-Thatha. My mother's late mother's brother passed away. Sounds like the kind of relative about whose death one politely says, "I'm sorry to hear" while swiftly moving on to more important things.

Then why are the tears waiting around every corner?

As the body of my 94 year old Mama-Thatha lay on the floor of their living-room, those who loved him gathered slowly through the morning. We sometimes gazed upon him, sometimes sat quietly. Sooner or later, everyone was in a conversation with other relatives that began with shared memories and went on to other things. In death as in life, he sought no special attention for himself, this 'Mama without an ego' as someone put it.

Ramamurthy Mama was the fifth of the six children my great-grandparents had. When his oldest sister died and his mother took on everyday childcare, he and his brothers were at their disposal--sometimes big brothers, sometimes uncles, sometimes tutors, sometimes cheerleaders. With them around, the sisters (as my mother and her siblings are called) learnt to sing in satsangs, become part of stage performances, join prabhat-pheris... the works. When we were growing up, there was the world and there were the four magical Mamas, each gifted in his own way and each along with his respective Mami (like deities and consorts) the epitome of love and affection. We did not miss our grandparents who died very, very young.

Ramamurthy Mama was a most self-effacing person. All his stories were about other people. When we visited, he told us of everyone else's achievements, showing photos and letters. His large eyes would open wide, and he would visibly swell with pride. If he spotted anything about us or our work in the newspaper, he would call (all of them do, they are very sweet!). He was a strong supporter of Prajnya's work and would call me 'Gender' ("Is that Gender?" "May I speak to Gender?" I can hear his sometimes shrill voice right now!) because we worked on gender issues.

As with all self-effacing people, we did not talk much about him while he was alive. But now the stories are tumbling out. Let me share some.

My mother remembers that he was a passionate and particular gardener. He had flowers and vegetables growing all around their Rangoon home. She and her sister, then small girls, would pilfer these during the day when he was at his college, to play-cook. As time came for him to return, they would sweep away the ruins and hide. He would inevitably notice and sternly ask, "Who plucked the leaves from this plant?"

Mama's reminiscences included the stage experiences of all his nieces, and he continued to remind them until their last visits. In turn, they are remembering what a gifted percussionist he was--keeping rhythm with anything and everything. His son has that so we might guess, but what we could not know from his own stories, is that he crafted and painted the sets of every stage production. Always writing himself into a back-stage part, indispensable and invisible.

Amma remembers Ramamurthy Mama's strong sense of family responsibility; he would walk all the way from the suburbs to his college in Rangoon because his father had so many people to support, that he wanted to save him the bus-fare. All their uncles were like that, giving up their education half-way, taking up jobs, contributing to provide for their nieces. And not just the Mamas, my mother's Chitti and her husband also did the same. In ordinary circumstances, I wouldn't even write all this--it's too precious, this legacy of loving and caring, to expose to the outsider's gaze--but today I want to because our lives are becoming smaller and smaller and no one has time for other people, or for stories any more.

We should have grown up cravenly grateful. We didn't. We grew up adoring these people, feeling their affection radiate and surround us. That, to me, is their uniqueness. They never once let any of us feel how much they had done 'for' us; nor do their children. They never once said, "Their parents left all these children behind, poor things, and we had to provide for them." It was true but it was never the point with these amazing people.

In 1969, my great-grandfather lay dying in Willingdon Hospital in Delhi. The whole clan gathered on the lawns everyday that February. My cousin and I were four (I turned five in that time). We played with everyone who had actually come to bid him farewell. There was unspeakable grief but no pall of gloom that we could discern.

Ramamurthy Mama was a student in my school at the Willingdon lawns. My favourite subject to teach was Arithmetic. I would assign 'sums' and he was supposed to solve them--wrong. My greatest pleasure was in putting crosses against the sums (what does that tell you about the pedagogy to which I had already been exposed?), and writing stern comments. Infinite patience, infinite indulgence--that's what I experienced. The indulgence continued long after those Willingdon days--I would send him assignments on Inland Letter Cards and he would return them with wrong answers. I would send corrections, comments and more homework. This continued for a long time. I wish I had some of those letters. This correspondence is part of family legend.

The irony, I must tell you, is that he was really, really, really good at Mathematics--another thing he felt no need to assert.

Over the years, we met infrequently. Mama's transfers and our rare family holidays never took us to the same places. When they moved to Delhi and I started going there often, I got to know Ramamurthy Mama and Lakshmi Mami again, this time without Arithmetic homework as a medium. Since our move to Chennai, we have seen them more often.

Mama did a lot of volunteer work for the Ramakrishna Mission, wherever he lived. He was a very devout person and there must scarcely be one Hindu pilgrimage centre that he and Lakshmi Mami have not visited at least once. I can imagine god wanting the relief of meeting these sweet souls again and again. The word that keeps coming back to my sister and me as we reminisce about him is "Sweetipie." Such a sweet person. SUCH a sweet person.

One of the amazing things about this Mama is that he is the peer of whoever is visiting. When I visit, he is my peer, my buddy, talks about my interests, has the same sense of humour. When his nieces visit, he is their contemporary, remembering and asking after the things that are important to them. He is once more their chief supporter and benefactor, the person who remembers their childhood songs and antics (sometimes even the ones that embarrass them!). Only a few years older, he is parent, uncle, brother, buddy. When my niece visits, he is a singing archive of long-forgotten children's songs.

All of us know him as the raconteur of old family history. With him gone, our family memory is diminished. Will we now learn to listen carefully and memorise or document those stories?

I should tell you that he can sing any song--sometimes with the original lyrics and more often with crazy lyrics that perfectly match the metre and rhyme-scheme of the original but bear no relation to them. I am smiling as I write this, remembering all the laughter and music associated with visiting him. Ironically, when I looked for a photo of him to post, I couldn't find a single one in which he didn't look stern and serious. But that's not how I think of him at all.

Like all of his life, this blogpost is also not about him. It's about me. It's about all of us. And how much we will miss him. On that sofa at family functions, delighted to talk to everyone who stops by. At home when we visit. Visiting us at the end of a morning walk. His big eyes all lit up and his smiling face and his fingers drumming to the song-in-his-head (all of them, all of us do this) and his loving presence.

Everything I write is inadequate. Ramamurthy Mama's death has also reminded me of what I learnt when my father died--that a life well-lived is a life full of love and full of giving to others. The love in that room on Thursday was palpable; it was his presence, his gift. The world is now one sweetipie short.

And I am so grateful to have known such a person in this lifetime.

Tuesday, March 26, 2013

Garbage, the new tourist must-do

Uncleared garbage is now the marker of contemporary Indian life in front of which every one of us at some point must have a photo taken.

Beautiful palace? Garbage in and as the moat.
Exquisite work of craft? Garbage on the horizon.
Stunning natural beaches? With a rick-rack trim executed in garbage.
Awe-inspiring mountains? Worshipped by garbage deposits.

Any future students of these times and this place is going to conclude: brilliant, entrepreneurial, warm, hospitable, colourful people... but dirty. Or unable to organize the cleaning of their public spaces.

I won't tell you where these photos were taken. You can probably place them anywhere in India that the sea washes up to the shore and people wash their garbage up to the beach.


Sunday, December 30, 2012

At year's end

December has been horrible.

The stress of the 16 Days Campaign. No matter how much we plan. No matter how great the team. No matter what, this is a pressure cooker period for all of us.

Through December, my Periamma was very, very, very ill and she left us on December 15. That's December's worst blow. It's such a big loss that I haven't wanted to say it aloud. I can't write about it. I don't want you to know because then it won't be true. If it's not true, we will still see her again. So don't read this post that I so desperately need to write.

And then the Delhi gang-rape and everything that has followed. Horrible for all of us. For me too, even if I don't outrage or lament or rage or cry. Particularly because we talk about these things all year. Just spent an intensive 16 day period of doing absolutely nothing else. And when I see people react as if they didn't know these things happen, I don't know what outrages me most. I want to cry because the task is so enormous, it sometimes feel futile. Will my feeble voice be heard in the cacophony?

An assignment that is endless and in content, just as depressing as anything, is like the blight. I cannot see the beginning or the end of it, and I am writing in small sections that don't add up to anything in my head. The template is not mine. Nor are the strictures--and there are many strictures. And yes, it's about the same kind of thing: the misery of women in times of conflict. Except that the point is to contextualize policy strategies to change that. But I can't feel that point in my heart right now.

And through much of this, the grief has just sat there like a massive rock in my heart. I cannot afford to look it in the eye really. It would engulf me and this work would never get done. It's another matter that work is going really slowly anyway. The body and the heart are so weighed down with sorrow that the brain is not really interested in anything.

Someday, I will be able to tell you what a wonderful Periya-Amma I have had. Someday.

December has been horrible. And yet, in comparison to the lives I read about for my work, it's been an absolutely marvelous time. I have been safe. I have been warm. I have had food, clothing, shelter, family and friends. And the Internet. And quite a bit of electricity and clean water.

And someday, this grief will lift and transform into something that is easier to carry around. It will not snowball so rapidly into anger and annoyance and resentment and fury and sorrow and blankness and slow-wittedness and impatience with the world and with myself. But that's not this evening. Someday.

I sit here, chip-chipping away at small tasks. This is all I can do. This is all I can do. And do it, I must.

Friday, December 28, 2012

Where have you been all this while?


Rahul Roy, What do men have to do with it?, Kafila.org, December 28, 2012.

I agree with so much of what he writes. As I posted this on FB, I found myself expressing some part of the anger and resentment that have been brewing inside me for the last two weeks. I didn't post those words there, but am doing so here.

As I've watched people write and speak about protecting 'our women'; as the voices and words of male op-ed writers initially drowned out those who have been working on these issues for decades; I have wondered resentfully: does the 'mohur' of male opinion make this an important Indian issue? Are women too waiting for 'their men' to signal the importance of an issue before they will take or express an interest? Does it constitute 'permission'? Does male approval make women's rights a serious issue as opposed to a 'ladies' issue'?

I longed to hear voices from the women's movement everywhere on this issue, but it took one week for them to start showing up in newspaper columns. It infuriated me that decades of reports and learning and activism were overlooked when journalists asked here and there: who are the experts? If they had been listening all along, they would not have needed to ask.

Opposing violence against women has been on the Indian women's movement agenda all along, and the agitation against the Mathura judgment marks an important turning point in its history. That was 32 years ago. At least since then, if not earlier, women's organizations--including Prajnya--have worked on some dimension of this issue--providing support and services to survivors; lobbying the government on legal and police reform; training police and other government offices on gender issues; reaching out to the public with awareness programmes; writing and speaking everywhere possible. But who was listening?

We want society--men, women, transgendered persons, everyone--to speak out against violence--in all forms, all contexts. (That's why Prajnya made these videos.) But on equal terms, not the same old ones.

I want to tell you that this resentful post is a very subdued articulation of how furious I really am. I am really trying to be polite and diplomatic here. My cousin assures me that even when this moment passes, this time there will be some collective memory that once we were angry together about this issue. And that a few more people will join this journey after this. I hope she is right.